They’ve remained an on-off concern for almost a quarter-century, and have been remarkably prolific of late, with ‘No More Shan Goodbyes’ arriving a mere eighteen months after 2018’s ‘Bats Fly Out From Under The Bridge’. Whereas the latter noticed them exploring totally different genres and tune constructions, the previous is just the results of a want to jot down the sort of direct, unashamedly melodic songs that they loved of their youth.
For probably the most half, they’ve succeeded. Imagine the earworm tunes of post-punk greats like Echo & The Bunnymen and The Jesus And Mary Chain, bathing in My Bloody Valentine’s sea of guitar noise, and you’ve got a tough template for a lot of ‘No More Shan Goodbyes’. On songs like ‘Romanticise The City’, ‘Weeds’ and ‘Lonely Jalapeño’, they take easy guitar melodies on a gradual evolution in the direction of distortion-drenched climaxes, with the occasional shock of a horn part used to mesmerising impact.
The band additionally do a pleasant line in straight-up energy pop on ‘Fire From The Mountain’ and ‘C.H.U.D. Song’, however the true deal with lies in the direction of the tip of the file on ‘Cuts Of The Summertime’. Beyond the darkish lyrics that appear to explain a dying relationship, it is replete with feminine backing vocals and a shimmering, organ-drenched refrain that’s as affecting as it’s efficient. An understated gem, for positive.
Some could mourn the passing of these chaotic early instances, however even when ‘No More Shan Goodbyes’ is the sound of Pilotcan enjoying it straight, they not often fail to persuade.